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You sun-spot you
you bright-but-tempered
you worn soul.
You don’t hug your path, do you know
you cling to the gutters?
In one place?
You need more butter. To slide you along.

Can an aura be sideways?
Because you radiate different.
Your colors interupted
by the cover you wear.
You deny your brilliance to the people
by coloring yourself with dull, dollar-store crayons
with a Prisma-set just beside you.

You sun-spot you
more deflected than refracted,
pierced and pocked
It’s all beneath your shell
That hides your bed sores.
That’s very heavy.
You are a frightful site
You make a terrible crustacean.

With just one life
When will you be ready to bask in your own light?

Is anyone out there known to have learned skills of building just so that they could destroy, to start anew? If these walls could talk. If they could absorb.
Would they swell, well, wail?
With grief of past renters? Laden with uncomfortable memories of someone’s poor sitcom taste? Or  spooked by the inability to comprehend an old tenants’ idolatry? Or find humor in and joy of private dancing with the likes of us they contain?
Are they pleased with the blush-colored tiles that coat their kitchen parts?
Do they revel in the bed banging against them ferocious, and ache for more as well?
Because if everything has energy, then there stands a chance at a secret life that we know as much of as to think that birds just migrate without communication, but magnetism and instinct? Greedy, narrow, humankind.
So then, am I their favorite thus far?
Should I lean up against them and divine their favorite music? It must be Nina- the album with her in front of a pond in Central Park…
The walls. Inert and unable to grow, only wither in time. Unable to self-fortify. But- able to hear? God ears? You are probably not alone.
Turn off your halogens. Be true be true! If someone or something is always the witness, could you really be you?
You can find a hammer and smash till you’re blue. Or bang out a window to let the air through.
If these walls could listen. If they’ve been listening all along- how would you do? IMG_8144 (2).jpg

There are 2 places to write from/ 2 ways to write.

The 1st: when one is writing, journal quality- where feelings are expressed in reporting fashion.
It is often sourced from the raw heart, but the other side of the heart. The side where the flowers don’t grow or pepper the in-between-places of words. Visual description is scant, exchanged for survival mode.
The side that is blood-swollen and rugged tender raw. Like half an hour to an hour into a wasp sting.
It’s to the point.
An aggregate of hurt, observation, and questions on the factory line at the beginning of processing.
It’s fresh and harmed. Or fresh and ruby red. Or fresh and perplexed. It’s still warm and may be beating.

The 2nd is once the thoughts have entered the bloodstream. Once the thoughts have become brain food, or maybe even the body has digested all the possible health or false nourishment and excreted the rest. Or maybe it’s sights upon describing the excrement. Or sights on love. Or sights on love that was. Or a safer place in reprieve of conditioning. All in all- it’s a place where art lives. Where words form tunnels that no one’s ever taken that lead to pieces of sky no one has ever seen. And the culmination of comfort, acceptance, and understanding leads to an ability to play with descriptors and bend them now to explain what was once impossible to catch in 2 hands/ to hold in one’s mind.

The same person will write in these two fashions. It is chew then swallow. It is egg then omlette. It is crawl then walk.

The brain intakes, assimilates, activates.

Reading a memoir of an author is likely to be the opposite of their flower writing. If you want to learn about a recommended writer, learn their work before grasping at their version of themselves. It is sleep then dream. But more so learn then understand.

 

*formerly titled “How To Read About Authors (for Dummies)”

Clouds are Easy

Eves-dropping on neighboring cloud watchers across the isle:

–Young girl- maybe age 7- speaking in absolutes: “I see a hand.”
–Man beside her- maybe mother’s boyfriend: “I see it.”
Pause. Watch. Stillness. “I see some mashed potatoes.”
–Girl -calm: “Oh yeah. Yeah.”
“I see a coyote without legs. Do you see it?
Planes are huge. Almost bigger than the world. We’re almost to space. Did you know that?”
–Man attempts an explanation about atmosphere, stratosphere… starts out strong. Flounders. Reverts to talking about library books on the subject.

Girl turns her head from the window of Largest Views. She finds a heated shaft of sunlight taken to sitting on the top of her hand from the other side of the plane. My side.
Reflection projection.
Steady she holds it; her sun-hand. Her free hand whirling small fingers atop its partner’s radiance. Spinning a small dance above orphic golden. She wants to show her mother who sleeps;
Looking back and forth from mother to glow, mother to glow, mother to glow.
She is a kind child. I can tell. Her mother rests on, while dutifully with providence, she hosts the light.
Girl sees me looking and offers a soft-kid smile my way. It’s too late to look away. I’ve been indulgent in my dreamy observing.
Down she puts the sun.

Back to cloud-watch; the line between boredom and the ease of nothing else to do, giving call to the deciphering of true existences.
High game, low stakes.
Infinite interpretive possibility.
A pooh-bah baby; she tells what’s what. The crown in passing light.
In a flash I’m brought back too.
Times no linear thing when you’re suspended in the air and have exhausted your ink pad and reading resources and suddenly… I’m young again, head-scratching, squinting wonder, looking for what’s really out there.
By and by eking out that dolphin pattern of automatic coordination involving focus, locus and vergence.
If I’d stare hard enough… If she’d stare hard enough…

Now the mother’s eyes are opened and the three talk of sun. I hang on their words like heavy warm suds sky bath; well intentioned interloper that I am.
They share curiosities over cardinal directions; the great Atlantic acting to anchor the origin. Wondering just what they’re flying over. Wondering where the man’s house might be very right now.

In an instant the plane tilts- revealing a ground covered in snow. A secret held from us by the simple act of sheltering our eyes. Covered in snow, dotted in trees. All small far down. Snow inside of snow.

The clouds have begun to thread, actively uniting, they soon mimic the land below as a blanket and a few levels higher measured by hundreds of feet, or thousands if you’re good at guessing jelly-bean-jar-quantities; filtering sun, laying across us fly-ers, dressing us in riches of watermelon and orange juice two hues.

Girl, Man, Mother are quiet. My mind quite quiet. And the clouds- speak silence full into the figures we see of them. Wipe away to white. Begin again if you please.

stard

Let Be Wild

Trees; an affront to imposed rigidity and structural predictability,
contrasting the angles raised of long blocks that contain them,
(parks- a slight, conceding effort;)
defying street boundaries;
interrupting, inconvenienced by countless collections of 90 degrees;
spreading roots with great effort, nonetheless.

oa
To be well and free against the opposing absolute and certainty of man-made resolve, in an immediate world of molds and intended order.
In a time where plans are steadfast; where chance is made scant;
lessened; unappreciated, threatened by homogeneity.
I will sing the songs that rise up from beneath my feet, that the pavement has not permeated. I will sing the songs that are not mine to keep.
I will sing what comes forth, be I know not from where.
Songs to soften, with hopes of bringing broader breath to asphyxiated systems surrounded in soil.
Songs to ease the rattle of drilling for more more more when all is what we’ve already, collectively got.
Songs to hug at the earth burdened by those who appreciate her not, yet tug tug and tug relentless at her spine, yes.
Everyday. Back breaking acts in detached formation. Embroiled in entitled ideals.

When did people learn that nature was to be conquered and what happened to their songs?
With trees so tall to walk beside, how can they not feel a hum?

oaaoaaa

 

There is a well of surface-scraped-depth within me.

I know.

And maybe you too.

I need to know what gems lay deep, bound by body basalt; encased in black rock; kidney crystal. Clinging to crags. Affixed & sturdy.

Formations of luster; robust & ripe; uncomprehended in fullness.

And it worries me.

How to mine myself for precious bounty?

Am I made of softer stone? Might I chip?

What earthly instrument would act as chisel?

How much wonder, precision & intent is required for self-extraction.

To mother words.

Arrange them & categorize.

The placement in a great pantry of order, positioning strategic visions; moving over pink salt, second hand plates, glass jars, almond flour, the old orange juice press, wayward spices- to arrange enigmatic & even alien feelings that can use the generosity of air-time to dry upon the lacquered, shaded kitchen shelves still shieldable from light with manageable doors.

That can benefit from this. To breathe & to steady.

The place my private mind has kept sacred & mysterious, precisely where X marks the spot, though barely tended to- not having intended to gloss over them or feed the deterring, fleeting, faux shiny distracting forces; shielding fears of my own discoveries & the responsibility that comes from choking- one day- upon an throat full of undigested diamonds.

How do you do bounty?

We are each equipped with inherent, ancient farming techniques.

How to learn treasure.

Day After Icicle

The heat pushing through the piping of the long house in one steady breath, promising falsely to fog up the windows and appease the chill down to the bones that we all felt; coaxing blood back up to the surface; releasing the tight shoulders in the room, squeezing in desperation to retain the remnant warmth.

Me and you. We are cold together in spite of talk of Tahiti. In spite of flirting with ideas of occupying the shower. In spite of number 70 on the thermostat.

Cold with worn hearts. Wimpy, floppy, sore- from news that came in pin-cushion packages with the pricking points turned outwards.
Packages delivering information that both whispered and yelled at once, as for no one to mistake anything on any auditory level, that the beast had returned; and in it’s believed absence- gained volume and momentum and peculiar support.
An inconceivable menace that was as real as the boogie man, and just as easy to doubt.
And now, in shocking, lurching fashion, a manifestation has come forth onto the eyes of the public- thin with disbelief- banging chest, fragmenting citizens, hissing for allegiance, disregarding all in it’s path of unparalleled ethos.

Ice. A stairway in December with no salt.
Sub zero in some cut off jeans.
Windchill with newspaper blankets.
We begin our struggle to blind ourselves in counter action, to stare in solace at the sun.
To rid the big freeze from our bodies, and find a way to raise a renaissance life of egalitarian existence where chatter won’t break our collective teeth.

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