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Posts Tagged ‘random’

We spent days in mist. Ocean dust.
My hair looked like a $90 job. A 10 rating.
I was training myself to walk backwards, parallel to the shore without looking behind or falling in. All core, hope, imagination, determination.
Seagulls crested in unison; scattering sporadically like the response to a secret boom or big bear sneeze; returning to formation like an answer to lots of questions unasked.
You’d rolled up your pants and still got soaked, just like every time we’d come before
Submitting our tarnished souls
To our repetitive salt water baptism.

In the small beach-town little matted dogs’d do erratic dances behind worn, corroded fences of tetanus-threatening rust. Do not touch. Beware of dog.
They’d bark their heads off ruthless, and untrustworthy.
4 legged Napoleons. Land piranhas.
My mutt wasn’t having it.

Beneath the bridge connecting coastal access to sleepy commerce center, congregated the bums, whoopin’ and slipping around, catching alarmed crawdads, drinking Old Grand Dad, having a helluvatime.

It’s important to share booze with strangers. The spirits encircle. Your lips are the same lips. Kiss purified by alcohol, don’t fret and the more road-wary the better. They give you pause and ease your mind with uncharted thoughts, though I’d nonetheless really liked to have spared the crawdad.

A furtive pocket-full of notes I fumbled to extract a poet’s name  to match our moment to their word-song. Income the spirit of Mary Oliver as the breeze picked up, whispering wild and precious, wild and precious, wild and precious life, what do you plan to do with your one wild and precious life… knocking cattail’s hollow sound and grass-scratch blades joining in.

Everything is coated in a filmy dew of sea and the world there feels small and briny; the longshore men sure look longingly back from a decent woman and forth to the empty possible space aboard their barnacle-scraped boats. What man you walkin’ with? Don’t see none.
One can fantasize right quick about sending off to another land with warmer breezes and new poets to ponder. Making love in the hull with inescapable sand inbetween the buns, hun. Clams for currency. Hundreds of nautical miles.

But the breeze- a melody of crashing waves and the maritime’s half-full loneliness all surf-stretched, and you’re simply incapable of good decision making in wet dungarees, so on we shuffled through the sand and kept watch of the birds.

beach food (1)

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When I start to think
In haiku form and fashion~
Man, is stopping hard.

I want to keep on
Packaging my words to fit
Five seven five forms

But then the sillies
Start kicking in and I can’t
Not be a pervet

So I must give up
The illusion of respect
And drag you down with me
…………

Next time’s sexy time
Shout “Holy! It’s colossal!”
Make the man feel good.

As the dusk decends
I walk streets hoping to see
Sex through lit windows

It’s crazy how much
My fantasies constantly
Beg my attention

Sex is like pizza?
Even if it’s bad it’s good?
Not down with frozen.

He grabbed my tit like
Trying to pop the brain out
A baby bunny ):

Capable I am
As well at reigning it in
And writing soft-core
…………..

Is there a better
Smell than dried eucalyptus?
Daphne in the spring?

When the petals fall
On my head and in my hair
That’s where I want them.

The common cricket
Rivals refrigerator’s
High, resonant sound.

When I hear sitars
I am just like Pavlov’s dogs.
Hungry! For curry.

Sometimes I wonder.
And it gets the best of me.
Presence. It’s a gift.

True art never sleeps
Continuum unperturbed.
There is no shelf life.

One day I’ll travel
The world in the name of sweet
Poetry. Just wait.

Getting off the plane
Walking down the hall to you
Standing with flowers

I can hear the guy
On the wall’s other side of
My condo farting.

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Is anyone out there known to have learned skills of building just so that they could destroy, to start anew? If these walls could talk. If they could absorb.
Would they swell, well, wail?
With grief of past renters? Laden with uncomfortable memories of someone’s poor sitcom taste? Or  spooked by the inability to comprehend an old tenants’ idolatry? Or find humor in and joy of private dancing with the likes of us they contain?
Are they pleased with the blush-colored tiles that coat their kitchen parts?
Do they revel in the bed banging against them ferocious, and ache for more as well?
Because if everything has energy, then there stands a chance at a secret life that we know as much of as to think that birds just migrate without communication, but magnetism and instinct? Greedy, narrow, humankind.
So then, am I their favorite thus far?
Should I lean up against them and divine their favorite music? It must be Nina- the album with her in front of a pond in Central Park…
The walls. Inert and unable to grow, only wither in time. Unable to self-fortify. But- able to hear? God ears? You are probably not alone.
Turn off your halogens. Be true be true! If someone or something is always the witness, could you really be you?
You can find a hammer and smash till you’re blue. Or bang out a window to let the air through.
If these walls could listen. If they’ve been listening all along- how would you do? IMG_8144 (2).jpg

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There are 2 places to write from/ 2 ways to write.

The 1st: when one is writing, journal quality- where feelings are expressed in reporting fashion.
It is often sourced from the raw heart, but the other side of the heart. The side where the flowers don’t grow or pepper the in-between-places of words. Visual description is scant, exchanged for survival mode.
The side that is blood-swollen and rugged tender raw. Like half an hour to an hour into a wasp sting.
It’s to the point.
An aggregate of hurt, observation, and questions on the factory line at the beginning of processing.
It’s fresh and harmed. Or fresh and ruby red. Or fresh and perplexed. It’s still warm and may be beating.

The 2nd is once the thoughts have entered the bloodstream. Once the thoughts have become brain food, or maybe even the body has digested all the possible health or false nourishment and excreted the rest. Or maybe it’s sights upon describing the excrement. Or sights on love. Or sights on love that was. Or a safer place in reprieve of conditioning. All in all- it’s a place where art lives. Where words form tunnels that no one’s ever taken that lead to pieces of sky no one has ever seen. And the culmination of comfort, acceptance, and understanding leads to an ability to play with descriptors and bend them now to explain what was once impossible to catch in 2 hands/ to hold in one’s mind.

The same person will write in these two fashions. It is chew then swallow. It is egg then omlette. It is crawl then walk.

The brain intakes, assimilates, activates.

Reading a memoir of an author is likely to be the opposite of their flower writing. If you want to learn about a recommended writer, learn their work before grasping at their version of themselves. It is sleep then dream. But more so learn then understand.

 

*formerly titled “How To Read About Authors (for Dummies)”

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Eves-dropping on neighboring cloud watchers across the isle:

–Young girl- maybe age 7- speaking in absolutes: “I see a hand.”
–Man beside her- maybe mother’s boyfriend: “I see it.”
Pause. Watch. Stillness. “I see some mashed potatoes.”
–Girl -calm: “Oh yeah. Yeah.”
“I see a coyote without legs. Do you see it?
Planes are huge. Almost bigger than the world. We’re almost to space. Did you know that?”
–Man attempts an explanation about atmosphere, stratosphere… starts out strong. Flounders. Reverts to talking about library books on the subject.

Girl turns her head from the window of Largest Views. She finds a heated shaft of sunlight taken to sitting on the top of her hand from the other side of the plane. My side.
Reflection projection.
Steady she holds it; her sun-hand. Her free hand whirling small fingers atop its partner’s radiance. Spinning a small dance above orphic golden. She wants to show her mother who sleeps;
Looking back and forth from mother to glow, mother to glow, mother to glow.
She is a kind child. I can tell. Her mother rests on, while dutifully with providence, she hosts the light.
Girl sees me looking and offers a soft-kid smile my way. It’s too late to look away. I’ve been indulgent in my dreamy observing.
Down she puts the sun.

Back to cloud-watch; the line between boredom and the ease of nothing else to do, giving call to the deciphering of true existences.
High game, low stakes.
Infinite interpretive possibility.
A pooh-bah baby; she tells what’s what. The crown in passing light.
In a flash I’m brought back too.
Times no linear thing when you’re suspended in the air and have exhausted your ink pad and reading resources and suddenly… I’m young again, head-scratching, squinting wonder, looking for what’s really out there.
By and by eking out that dolphin pattern of automatic coordination involving focus, locus and vergence.
If I’d stare hard enough… If she’d stare hard enough…

Now the mother’s eyes are opened and the three talk of sun. I hang on their words like heavy warm suds sky bath; well intentioned interloper that I am.
They share curiosities over cardinal directions; the great Atlantic acting to anchor the origin. Wondering just what they’re flying over. Wondering where the man’s house might be very right now.

In an instant the plane tilts- revealing a ground covered in snow. A secret held from us by the simple act of sheltering our eyes. Covered in snow, dotted in trees. All small far down. Snow inside of snow.

The clouds have begun to thread, actively uniting, they soon mimic the land below as a blanket and a few levels higher measured by hundreds of feet, or thousands if you’re good at guessing jelly-bean-jar-quantities; filtering sun, laying across us fly-ers, dressing us in riches of watermelon and orange juice two hues.

Girl, Man, Mother are quiet. My mind quite quiet. And the clouds- speak silence full into the figures we see of them. Wipe away to white. Begin again if you please.

stard

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There is a well of surface-scraped-depth within me.

I know.

And maybe you too.

I need to know what gems lay deep, bound by body basalt; encased in black rock; kidney crystal. Clinging to crags. Affixed & sturdy.

Formations of luster; robust & ripe; uncomprehended in fullness.

And it worries me.

How to mine myself for precious bounty?

Am I made of softer stone? Might I chip?

What earthly instrument would act as chisel?

How much wonder, precision & intent is required for self-extraction.

To mother words.

Arrange them & categorize.

The placement in a great pantry of order, positioning strategic visions; moving over pink salt, second hand plates, glass jars, almond flour, the old orange juice press, wayward spices- to arrange enigmatic & even alien feelings that can use the generosity of air-time to dry upon the lacquered, shaded kitchen shelves still shieldable from light with manageable doors.

That can benefit from this. To breathe & to steady.

The place my private mind has kept sacred & mysterious, precisely where X marks the spot, though barely tended to- not having intended to gloss over them or feed the deterring, fleeting, faux shiny distracting forces; shielding fears of my own discoveries & the responsibility that comes from choking- one day- upon an throat full of undigested diamonds.

How do you do bounty?

We are each equipped with inherent, ancient farming techniques.

How to learn treasure.

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The strangeness of days. The lopsided magic that elbows you from the sidelines. You hold your ribs, shaking your head. It happens. “Did that really happen?” You’ll say,cued up, but you’ll know. YES.
Eye-rubber, head-scratcher days. Where synchronicities pip, pop, pap and you watch. You know something is right- for you at least- in some way- but what an unorthodox display.
When moments and days segue and transcend perfectly into the next. The foreshadowing-of-strange-life-events feature revving.
As we grow, we become more aware- hopefully of the simple one door closed/ another opened equation. It’s genuine application. It’s mystery promise.
Go on, slap your normativity across the face with a wind up and see what comes. It might be giant. A slow giant, with watchful eye’s yet sloth-like timing. Like a continental drift. Before you know it you’re on the other side of the equator. Eating the same cereal all the while.
It’s moves like this that occur when you were sleeping. Be it literally or physically. Suddenly you might be 35 years old, in a kitchen that’s giving up the battle of white walls, a long and scratchy-floored corridor, old mouldings, access to the roof where you’ll take in first-of-morning moments, big ol’ bay windows at your head where you do your best to rest under your prized Pendleton.
Maybe you’ll have gone to a show 2 nights ago that you were looking forward to. One who’s performer you had seen before, who’s lyrics inspired and tickled you; a voice so soft you wanted to make slippers out of it. And maybe that show turned out to be an absolute flop- mimicking a pitiful freshmen art school project on staccato affects on the audience, and an undeterminable counterpart person on stage to remain turning potentially purposeless knobs and staring, full face into the eyes of your singing sweety who would soon melt before you as a bore. And maybe they would remain, staring and staring some more into each other’s eyes, ignoring the crowd at large, and whispering near the microphone; said counterpart looking plain Jane, but when the light hit her just right somehow Alice Cooper would emerge. Sans light tricks. Just a disco ball 20 some odd feet above. Let’s just say. And you told your friends. And the Alice Cooper thing was just undeniable and so-fucking-trippy and it kept happening. A devil woman!
And then you’re in this place, devising a get away plan, when the show ends early anyway, and you decide “Oh how nice, I shall ride my bike home and retire to bed quite early, making up for lack of sleep. How divine”, or something to that effect.
Home you go. Sleep you do. Until 3:37am when bullets ring out. Maybe 6 maybe 7 you can’t be sure because waking up with jolts and orientation isn’t your strong suit. And then a man wailing begins. And you call the police, and you go to the living room and you watch the man writhing on the sidewalk, 1 story below and about 7 yards from your building and punctured with bullets, and you; helpless in your robe, holding your mouth and wishing for a hug. Reevaluating the definition of loneliness.
Cops come after not too long and your eyes won’t budge until you forcibly pull yourself back to bed with silver brown black red sparks jittering your spinal column, heavying the pit of your back and lay there as the police commence taking witness testimonies right below your bedroom window until 6:50am.
And then your day has begun with sleep being a lost design, and you are nothing more than shot with rubber-band-brain thoughts continually slinging back to the sounds of what is to be a man the most alone in the world when consolation is the most important. And-oh-the-humanity.
And big baby, suck it up because you’re in the city now and it’s time to get tough and cut the gasps.
And then the day passes until the moment where you return home from the long-ass work day, to unwind with your pup-beast-filthy-love-animal-dog, and you go a walkin’ and a talkin'(on the phone), and as you round the dark corner, you emit a silent scream because… a gun! On the pavement. Too much. Your friend awaits on the other side of the phone afraid and waiting to be informed, as you realize- it’s not so much a gun as an abnormally large and angular shaped, 90 degree turd, in the perfect shape of a big big revolver. And you release in laughter and your friend remarks “I don’t know which is worse”, as your dog has begun to help himself to perimeterless snack, so you tell her what’s worse. And you know you have discovered a whole new level of turd burglar.
The continuous line, having been so for a while now; curious, unpredictable, colorful, undeniable. It’s the strangeness of days, when you as the observer skirt harm, eyes alert and concerned, yet an energy of still and constant, if not necessarily detached- lightness of being. Atypical stage. The comedy, the tragedy, roller coaster magic, continuos turn. Wheel gears gripping and moving forward as we ride. It’s all happening.
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